Madness Unchained by Lee Fratantuono SummaryThe book aims at providing a coherent guide to the entirety of Virgil's Aeneid, with analysis of every scene and, in some cases, every line of crucial passages. The book tries to provide a guide to the vast bibliography and scholarly apparatus that has grown around Virgil studies (especially over the past century), and to offer some critical study of what Virgil's purpose and intent may have been in crafting his response to Augustus' political ascendancy in Rome, Rome's history of near-constant civil strife, and the myths of Rome's origins and their conflicting Trojan, Greek, and native Italian origins. The Aeneid of Virgil by Virgil,Barry Moser,Allen Mandelbaum Summary'A brilliant translation; the only one since Dryden which reads like English verse and conveys some of the majesty and pathos of the original.'

• Stanley Lombardo Aeneid

Knox 'Mandelbaum has. Given us a contemporary experience of the masterpiece, at last.' -David Ignatow 'The book has a wonderful, detailed liveliness in every line.' -Robert Fagles 'Comes closer to the impossible goal of perfection than any of the numerous efforts that have poured out of American and British presses since World War II.' The Last Trojan Hero by Philip Hardie Summary'I sing of arms and of a man: his fate had made him fugitive: he was the first to journey from the coasts of Troy as far as Italy and the Lavinian shores'. The resonant opening lines of Virgil's Aeneid rank among the most famous and consistently recited verses to have been passed down to later ages by antiquity. And after the Odyssey and the Iliad, Virgil's masterpiece is arguably the greatest classical text in the whole of Western literature.

This sinuous and richly characterised epic vitally influenced the poetry of Dante, Petrarch and Milton. The doomed love of Dido and Aeneas inspired Purcell, while for T S Eliot Virgil's poem was 'the classic of all Europe'.

The poet's stirring tale of a refugee Trojan prince, 'torn from Libyan waves' to found a new homeland in Italy, has provided much fertile material for writings on colonialism and for discourses of ethnic and national identity. The Aeneid has even been viewed as a template and a source of philosophical justification for British and American imperialism and adventurism. In his major new book Philip Hardie explores the many remarkable afterlives - ancient, medieval and modern - of the Aeneid in literature, music, politics, the visual arts and film. Virgil's Double Cross by David Quint SummaryThe message of Virgil's Aeneid once seemed straightforward enough: the epic poem returned to Aeneas and the mythical beginnings of Rome in order to celebrate the city's present world power and to praise its new master, Augustus Caesar. Things changed when late twentieth-century readers saw the ancient poem expressing their own misgivings about empire and one-man rule.

In this timely book, David Quint depicts a Virgil who consciously builds contradiction into the Aeneid. The literary trope of chiasmus, reversing and collapsing distinctions, returns as an organizing signature in Virgil's writing: a double cross for the reader inside the Aeneid's story of nation, empire, and Caesarism. Uncovering verbal designs and allusions, layers of artfulness and connections to Roman history, Quint's accessible readings of the poem's famous episodes-the fall of Troy, the story of Dido, the trip to the Underworld, and the troubling killing of Turnus—disclose unsustainable distinctions between foreign war/civil war, Greek/Roman, enemy/lover, nature/culture, and victor/victim.

The poem's form, Quint shows, imparts meanings it will not say directly. The Aeneid's life-and-death issues—about how power represents itself in grand narratives, about the experience of the defeated and displaced, and about the ironies and revenges of history—resonate deeply in the twenty-first century. This new account of Virgil's masterpiece reveals how the Aeneid conveys an ambivalence and complexity that speak to past and present.

The Aeneid of Virgil by Virgil,Archibald a Maclardy SummaryThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Virgil: Aeneid IV by Virgil, SummaryIn Book IV of Virgil's 'Aeneid', one of the most studied books of that epic poem, Dido, queen of Carthage, is inflamed by love for Aeneas. The goddesses Juno and Venus plot to unite them, and their 'marriage' is consummated in a cave during a hunt. However, Jupiter sends Mercury to remind Aeneas of his duty, and the hero departs despite Dido's passionate pleas. At the end of the book, Dido commits suicide.

This classic edition of the Latin text of Book IV replaces the long-serving edition by Gould and Whiteley, making this book more accessible to today's students and taking account of the most recent scholarship and critical approaches to Virgil. It includes a substantial introduction, annotation to explain language and content, and a comprehensive vocabulary.

Virgil's Aeneid by Michael C. Putnam SummaryIn this collection of twelve of his essays, distinguished Virgil scholar Michael Putnam examines the Aeneid from several different interpretive angles. He identifies the themes that permeate the epic, provides detailed interpretations of its individual books, and analyzes the poem's influence on later writers, including Ovid, Lucan, Seneca, and Dante. In addition, a major essay on wrathful Aeneas and the tactics of Pietas is published here for the first time. Putnam first surveys the intellectual development that shaped Virgil's poetry.

He then examines several of the poem's recurrent dichotomies and metaphors, including idealism and realism, the line and the circle, and piety and fury. In succeeding chapters, he examines in detail the meaning of particular books of the Aeneid and argues that a close reading of the end of the epic is crucial for understanding the poem as a whole and Virgil's goals in composing it.

Stanley Lombardo Aeneid

Aeneid by Virgil,Stanley Lombardo SummaryLong a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that—like the Aeneid itself—conveys a unique epic sensibility and a haunting artistry all its own. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas' relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem. A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.

Virgil: The Aeneid by K. Harrison SummaryThis guide offers a complete account of the historical setting and significance of The Aeneid, and discusses Virgil's use of Homer's Iliad and Odyssey, as well as the most celebrated episodes in the poem, including the tragedy of Dido and Aeneas' visit to the underworld. The volume examines Virgil's psychological and philosophical insights, and analyzes the poem's status as the central classical work of European culture. The guide to further reading has been updated and will prove an invaluable resource.

First Edition Hb (1990): 0-521-32329-0 First Edition Pb (1990): 0-521-31157-8. The Primacy of Vision in Virgil's Aeneid by Riggs Alden Smith SummaryOne of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan 'renaissance' of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked by a transition from the use of rhetoric as a means of public persuasion to the use of images to display imperial power. Taking a fresh approach to Virgil's epic poem, Riggs Alden Smith argues that the Aeneid fundamentally participates in the Augustan shift from rhetoric to imagery because it gives primacy to vision over speech as the principal means of gathering and conveying information as it recounts the heroic adventures of Aeneas, the legendary founder of Rome. Working from the theories of French phenomenologist Maurice Merleau-Ponty, Smith characterizes Aeneas as a voyant-visible, a person who both sees and is seen and who approaches the world through the faculty of vision. Engaging in close readings of key episodes throughout the poem, Smith shows how Aeneas repeatedly acts on what he sees rather than what he hears.

Smith views Aeneas' final act of slaying Turnus, a character associated with the power of oratory, as the victory of vision over rhetoric, a triumph that reflects the ascendancy of visual symbols within Augustan society. Smith's new interpretation of the predominance of vision in the Aeneid makes it plain that Virgil's epic contributes to a new visual culture and a new mythology of Imperial Rome. The Gospel of God by David R. Wallace SummaryWhen Paul pens his letter to the Roman believers, he writes as a missionary to strengthen a church at the center of imperial power, choosing language that is familiar to his recipients. Paul responds not only to the influence of Judaism but also to the wider culture by contrasting prominent Roman values.

David Wallace argues that Paul's gospel in Romans rejects and countervails the significant themes of Virgil's Aeneid, the most well-known prophetic source that both proclaimed Roman ideology and assured Roman salvation. After demonstrating that a close but nonauthoritarian relationship existed between Augustus and Virgil, Wallace examines relevant literary aspects, symbolism, and key imagery of Virgil's epic. A discussion of Paul's contraliterary approach follows, drawing out possible parallels and echoes in Romans against the universal message of the Aeneid.

The Aeneid, by Vergil, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras.