Download Discography Prodigy
About The ProdigyThe Prodigy always understood the need for visceral energy in dance music. What made them unique at the time of their debut in 1991 was the fusing of punk sounds and mores with the emergent acid house beats of the dancefloor. This glowstick-with-a-safety-pin-through-it attitude was made manifest by front man Keith Flint, a snarling manic Johnny Rotten for the club crowd, but the true soul of the group was techno boffin Liam Howlett. Liam was a local Essex DJ at a time when one could say the word rave without fear of scorn or imprisonment.
He had seen the effect of a big track on the right crowd and was keen to try his hand at some original compositions. Keith Flint and Leeroy Thornhill had heard Liam spin and pestered him for mix tapes and examples of his songs. Before long they were working together, taking their name from Liam's Moog synthesizer. Their debut was 'What Evil Lurks' (1991) but it was the second effort 'Charly' (1991) that made the big impact, going to No.
3 in the UK charts. 'Fire' (1991) also made the Top-20, after which they released their debut long player The Prodigy Experience (1992), which sold over 1 million copies in the UK alone.
By now word was out about their live performances - an intense combination of Tubeway Army style keyboard-lurking (Liam) and full-on mental moshing (Keith and Leeroy). Clearly Underworld's Karl Hyde must have been paying attention - it was now possible for an electronic dance act to be exciting live, instead of just po-faced avant-garde.
Music For A Jilted Generation (1995) was next - a hard techno banger of an album that made no concessions to the loved-up house massive. However, it was the release of 'Firestarter' from their third opus The Fat Of The Land (1997) that really put them on the mass media map. Fearful that the track and its provocative video were inciting arson, the inevitable tabloid frenzy ensured The Prodigy were a household name by the end of the year. 'Breathe' (1995) was even bigger - the beats so massive that it crossed genre boundaries to be popular with metal fans, rock heads and house fanatics across the country. The time was right to really push their luck, which they did with the release of 'Smack My Bitch Up' (1997), a track almost specifically designed to simultaneously fill dance floors and appall the politically correct.
It was a huge hit and they were at the top of their game. Time then for some time off, which ended up being seven years, before Always Outnumbered, Never Outgunned (2004) was released. This proved to be more of a solo effort from Liam. All three original members were back on board, though, for 2009's Invaders Must Die.Bebop Digital. The Prodigy always understood the need for visceral energy in dance music. What made them unique at the time of their debut in 1991 was the fusing of punk sounds and mores with the emergent acid house beats of the dancefloor. This glowstick-with-a-safety-pin-through-it attitude was made manifest by front man Keith Flint, a snarling manic Johnny Rotten for the club crowd, but the true soul of the group was techno boffin Liam Howlett.
Liam was a local Essex DJ at a time when one could say the word rave without fear of scorn or imprisonment. He had seen the effect of a big track on the right crowd and was keen to try his hand at some original compositions.
Keith Flint and Leeroy Thornhill had heard Liam spin and pestered him for mix tapes and examples of his songs. Before long they were working together, taking their name from Liam's Moog synthesizer. Their debut was 'What Evil Lurks' (1991) but it was the second effort 'Charly' (1991) that made the big impact, going to No. 3 in the UK charts. 'Fire' (1991) also made the Top-20, after which they released their debut long player The Prodigy Experience (1992), which sold over 1 million copies in the UK alone. By now word was out about their live performances - an intense combination of Tubeway Army style keyboard-lurking (Liam) and full-on mental moshing (Keith and Leeroy).
Clearly Underworld's Karl Hyde must have been paying attention - it was now possible for an electronic dance act to be exciting live, instead of just po-faced avant-garde. Music For A Jilted Generation (1995) was next - a hard techno banger of an album that made no concessions to the loved-up house massive. However, it was the release of 'Firestarter' from their third opus The Fat Of The Land (1997) that really put them on the mass media map. Fearful that the track and its provocative video were inciting arson, the inevitable tabloid frenzy ensured The Prodigy were a household name by the end of the year. 'Breathe' (1995) was even bigger - the beats so massive that it crossed genre boundaries to be popular with metal fans, rock heads and house fanatics across the country.
The time was right to really push their luck, which they did with the release of 'Smack My Bitch Up' (1997), a track almost specifically designed to simultaneously fill dance floors and appall the politically correct. It was a huge hit and they were at the top of their game. Time then for some time off, which ended up being seven years, before Always Outnumbered, Never Outgunned (2004) was released. This proved to be more of a solo effort from Liam.
The Prodigy Songs List
All three original members were back on board, though, for 2009's Invaders Must Die. The Prodigy always understood the need for visceral energy in dance music.
What made them unique at the time of their debut in 1991 was the fusing of punk sounds and mores with the emergent acid house beats of the dancefloor. This glowstick-with-a-safety-pin-through-it attitude was made manifest by front man Keith Flint, a snarling manic Johnny Rotten for the club crowd, but the true soul of the group was techno boffin Liam Howlett. Liam was a local Essex DJ at a time when one could say the word rave without fear of scorn or imprisonment. He had seen the effect of a big track on the right crowd and was keen to try his hand at some original compositions.
Keith Flint and Leeroy Thornhill had heard Liam spin and pestered him for mix tapes and examples of his songs. Before long they were working together, taking their name from Liam's Moog synthesizer.
Their debut was 'What Evil Lurks' (1991) but it was the second effort 'Charly' (1991) that made the big impact, going to No. 3 in the UK charts. 'Fire' (1991) also made the Top-20, after which they released their debut long player The Prodigy Experience (1992), which sold over 1 million copies in the UK alone. By now word was out about their live performances - an intense combination of Tubeway Army style keyboard-lurking (Liam) and full-on mental moshing (Keith and Leeroy). Clearly Underworld's Karl Hyde must have been paying attention - it was now possible for an electronic dance act to be exciting live, instead of just po-faced avant-garde.
Music For A Jilted Generation (1995) was next - a hard techno banger of an album that made no concessions to the loved-up house massive. However, it was the release of 'Firestarter' from their third opus The Fat Of The Land (1997) that really put them on the mass media map. Fearful that the track and its provocative video were inciting arson, the inevitable tabloid frenzy ensured The Prodigy were a household name by the end of the year.
'Breathe' (1995) was even bigger - the beats so massive that it crossed genre boundaries to be popular with metal fans, rock heads and house fanatics across the country. The time was right to really push their luck, which they did with the release of 'Smack My Bitch Up' (1997), a track almost specifically designed to simultaneously fill dance floors and appall the politically correct. It was a huge hit and they were at the top of their game. Time then for some time off, which ended up being seven years, before Always Outnumbered, Never Outgunned (2004) was released. This proved to be more of a solo effort from Liam. All three original members were back on board, though, for 2009's Invaders Must Die.
About The ProdigyThe Prodigy always understood the need for visceral energy in dance music. What made them unique at the time of their debut in 1991 was the fusing of punk sounds and mores with the emergent acid house beats of the dancefloor. This glowstick-with-a-safety-pin-through-it attitude was made manifest by front man Keith Flint, a snarling manic Johnny Rotten for the club crowd, but the true soul of the group was techno boffin Liam Howlett. Liam was a local Essex DJ at a time when one could say the word rave without fear of scorn or imprisonment.
He had seen the effect of a big track on the right crowd and was keen to try his hand at some original compositions. Keith Flint and Leeroy Thornhill had heard Liam spin and pestered him for mix tapes and examples of his songs. Before long they were working together, taking their name from Liam's Moog synthesizer. Their debut was 'What Evil Lurks' (1991) but it was the second effort 'Charly' (1991) that made the big impact, going to No. 3 in the UK charts. 'Fire' (1991) also made the Top-20, after which they released their debut long player The Prodigy Experience (1992), which sold over 1 million copies in the UK alone.
By now word was out about their live performances - an intense combination of Tubeway Army style keyboard-lurking (Liam) and full-on mental moshing (Keith and Leeroy). Clearly Underworld's Karl Hyde must have been paying attention - it was now possible for an electronic dance act to be exciting live, instead of just po-faced avant-garde. Music For A Jilted Generation (1995) was next - a hard techno banger of an album that made no concessions to the loved-up house massive.
Album Discography Download
However, it was the release of 'Firestarter' from their third opus The Fat Of The Land (1997) that really put them on the mass media map. Fearful that the track and its provocative video were inciting arson, the inevitable tabloid frenzy ensured The Prodigy were a household name by the end of the year. 'Breathe' (1995) was even bigger - the beats so massive that it crossed genre boundaries to be popular with metal fans, rock heads and house fanatics across the country. The time was right to really push their luck, which they did with the release of 'Smack My Bitch Up' (1997), a track almost specifically designed to simultaneously fill dance floors and appall the politically correct. It was a huge hit and they were at the top of their game. Time then for some time off, which ended up being seven years, before Always Outnumbered, Never Outgunned (2004) was released. How to install office installer mpkg downloads. This proved to be more of a solo effort from Liam.
All three original members were back on board, though, for 2009's Invaders Must Die.Bebop Digital.
The Prodigy performing at the Cokelive Festival in Romania on 26 July 2009.Studio albums7Live albums1Compilation albums1Video albums3Music videos28EPs6Singles30Mix albums2English group has released seven, one, one, one, three, twenty-one and twenty-two. Hailed as pioneers of genres such as, and, the group have sold over 20 million albums worldwide. As of 9 November 2018 their UK album sales stood at 4,707,982.The Prodigy's first release was the 1991 EP., the group's debut studio album, was released in September 1992, peaking at number 12 in the United Kingdom and certified platinum by the (BPI). Experience spawned the singles ', ', ' / ', ' and ', all of which were top 12 hits in the United Kingdom., the group's second studio album, was released in July 1994. The album peaked at number one in the UK, also reaching the top ten in countries such as Australia and New Zealand. Earning a platinum certification from the BPI, Music for the Jilted Generation spawned the UK top ten singles ' and '.The Prodigy's third studio album was released in June 1997, becoming a huge commercial success. The album peaked at number one in multiple countries, including the United Kingdom and the United States.
The Fat of the Land received multi-platinum certifications from the BPI, the (ARIA), and the (RIAA). ', the album's first single, peaked at number one in the United Kingdom and hit the top ten in multiple other countries. It also gave the group their biggest hit in the United States, where it peaked at number 30 on the and was certified gold by the RIAA.
The album's second single ' also performed well commercially, reaching the top ten in multiple countries and becoming the group's second consecutive UK number-one hit. ', the album's final single, peaked at number 8 in the UK.The group released their fourth studio album in August 2004. Their style had changed from rave and breakbeat to more of an electronic rock style. The album topped the charts in the United Kingdom, earning a silver certification from the BPI. Always Outnumbered, Never Outgunned spawned three singles, including the UK top 20 hit '., the group's fifth studio album, was released in February 2009. The album became the band's fourth consecutive studio album to top the charts in the UK.
Among its four singles were the UK top ten hits ' and ', both of which received silver certifications from the BPI.re-entered the UK and US charts in March 2019 following the death of band member.